Your Imagination

You take your imagination for granted. We all do. We expect that if we close our eyes–or, fine, keep them open and keep reading–and think of a red-eyed tree frog, it will be there. And if you think of the best cannoli you’ve ever had, you might remember what it tastes like. Even blind people can imagine in color, though they might not use the same words we do.

Our imaginations are always with us. They’re a part of us, a real part of us, a projection of the complex neural networks driving your very ability to think, reason, plan that barbecue, pick an outfit, and code data entries. But we are no longer taught how to access the deepest parts of our imaginations because the deeper you go, the longer you want to stay. And that’s not helpful for the industrialists.

If the goal of school is to make hard-working consumers, a natural byproduct is the cultural desensitization to our innate imaginative capacities. Sitting in rows and drilling algebra problems promotes linear thinking. Your imagination is linear at times but mostly directionally confused–curved, bent, windy, cyclic, repetitive, traumatic, exponential, scary. More than that, explaining what’s going on in your mind is, well, almost impossible. That’s what I think makes a good writer.

Good writers can explain their imaginations in ways ordinary people–which is most of us, stop thinking you’re so special–can understand. They use metaphors and emotional turns of phrase to help us know, feel, and experience their minds, what they see when they close their eyes. It’s scary, going into someones mind. That’s why a good writer makes you feel safe but courageous, confident you know where you are while encouraged you want to go further this time, into the darkness that few imaginations have gone before. Good writers can break the Overton windows that keep our minds at bay and burst into new realms of consciousness, realms that might be worth staying in.

That’s exactly why there’s no such thing as a good writer. We’re all bad writers because we can never accurately explain what we imagine. We can only get close with a metaphor that rhymes with our thoughts.

No, there are no good writers. And if there are, they don’t waste their time trying to write. They become artists.

Mosaics

Philadelphia is studded with mystifying mosaics. There’s history behind these famous displays of public art but I’m not that familiar with it. What I do know that one of the most prominent mosaicists in the city lives in my neighborhood. You can tell because his house is covered in…well, what would your house be covered in if you were a talented mosaicist?

The house is practically a museum. When the weather breaks, the bay doors of his garage open up to show the world a half-warehouse workshop– every square inch covered in colored glass.

I want to get to know him.

Did you ever wonder how the glass got there? What about before it was made into art? The glass probably served a purpose before being broken into pieces. Maybe it was a bottle, or a vase. Stained-glass window. And what about before that? Have you ever seen how glass is made?

We watched a documentary about glass making in Related Arts class freshman year of high school. It’s made by melting sand–imagine that, melting sand. How does sand even melt? Imagine being the first man to discover glass. Did they think they made diamonds? Anyways, in this documentary A William Shatner-esque character (or maybe it was him) inspired me to go find some glass in my neighborhood. I walked by a stream like he told me to (he said they would definitely be there) and one day I found about two dozen pieces of glass, just sitting in the stream, semi-smoothed but mostly still sharp. Probably Coors Light bottles, but still enthralling.

Okay, glass comes from sand. Where does sand come from? Broken down rocks and sea shells, you know, from mollusks. Rocks. And shells. Where do those rocks and shells come from? Well, the rocks are made of–what even are rocks? I know they come from the earth. They’re basically molten lava that mineralized in a specific form depending on the concentration of minerals present. And shells–well they grow from living things. They’re made of cells, the building blocks of all life. So sand is actually very complex, and different sands obviously contain different mineral contents.

So that’s what a mosaic is: melted sand, made into something useful that was once either purposefully or accidentally broken, pieced together with cement which is…sticky sand. Circle of life, I guess?

I used to think a human being couldn’t be “broken” per se. A chair can be broken. A broken chair can’t put itself back together. But broken bones heal. And broken hearts heal, too. What does it even mean to be a human? What part of you classifies you as being “broken?”

Mosaics are made of various pieces of intentionally, thoughtfully, artistically assorted broken glass, glass which was forged in a furnace, made into something beautiful or useful, then shattered into millions of pieces. Not to mention all the breaking and breaking down that rocks and shells had to undergo to make such minuscule grains of sand. Broken is the name of the game.

Maybe it isn’t so bad to think of humans as being broken. Maybe broken is actually more beautiful than whole–or maybe it’s all beautiful, or maybe it’s all broken, or maybe it’s all whole. Maybe we’re all a part of the same hole. Maybe those bits of glass that couldn’t look any more different contain pieces of the same minerals from the same shell, somewhere deep within them. Or maybe that’s never happened, not in any mosaic ever created ever.

I don’t know if there’s a message here. If there is, maybe it’s that you’re beautiful even if you’re broken. It’s just helpful to pick up the pieces of whatever part of you broke and make something out of it. If not, you might step on a shard of glass. Then you can’t walk anywhere or appreciate anything except the pain of the glass piercing your dermis, blood starting to drip out.

Or maybe that can be beautiful, too.

Pain, Art

Pain, because you can’t heal
if you don’t feel your scars,
relive forbidden memories, and
forgive yourself to give yourself
hope for tomorrow.

Art, because pain needs a place
to rest in peace, broken pieces
make masterpieces before
weary eyes. Be proud of this, be
witness of tomorrow.

Therapy, because dragons can’t
be slain in broad daylight. Daybreak
breaks silence once feared, now embraced
with hope, with witness, with a brave heart—
freedom in tomorrow.